Enjambment: This device is current through the poem. For instance, these lines are enjambed: “I woke/ with his voice in my ear/ I sat up in bed.”

Duffy’s free verse poem is made of irregular stanzas and line lengths, defying conventional patterns of romantic poetry:

We don’t know who the “you” is, but Probably, because it’s the kind of individual who would Generally receive a “cute card”, it’s a woman. This suits with Duffy’s lifetime, as she has experienced male and female associates, while the poem isn’t automatically biographical.

Determining subtle tactics will not acquire you any more marks, especially if these approaches are only “noticed” and the poet’s intentions for this language will not be explained.

‘White Apples’ by Donald Hall works by using vivid imagery to explain the speaker’s psychological state following he dropped his father.

One line stanza - wishes the reader to be aware of that the poem is just not likely to be about stereotypes - not poetic use of language

The poet attracts notice to the reason for your Odd gift with two isolated lines that emphasise the speaker’s need for honesty

What could be the meaning of “white apples and also the flavor of stone”? This line points to the concept of Demise. The “white apples” work as a symbol as well as the “style of stone” can be an implied reference towards the grave.

Duffy provides love as a strong pressure that encompasses both equally deep relationship and the possible for extreme sorrow

The forceful presentation of the gift, and the final term selection, also implies it is a relationship which happens to click here be cruel, domineering and menacing

Via this unconventional metaphor, Duffy explores the complexities and realities of love, contrasting it with idealised notions of romance. The onion is often a symbol, representing the levels, depth and occasionally agonizing aspects of real love.

sinks below an anxiety she simply cannot withstand. One more friend of decades estranges himself in words that pollute 30 years. Let's stifle below mud in the pond's edge and affirm that it's fitting

The third metaphor, "You tease the black bear," even further emphasizes the concept of risk. Teasing a black bear is really an act of provocation that invites Risk, suggesting that love includes a certain audacity and willingness to confront anxiety.

The poem explores the onion as a metaphor for love, highlighting its quite a few layers and skill to trigger agony